(Helen Brown)Lux Prima was born just over a decade ago from a drunken phone call from Karen O to Danger Mouse – real name Brian Joseph Burton – during which the pair vowed they would work on something together. This deathly intrigue is drawn from Lenker’s own personal traumas, which she successfully spins into something that feels universal. (Roisin O'Connor)This self-titled record, a loose but beautifully crafted collection of folk-rock songs, explores the kinds of anxieties intrinsic to the modern age – the longing to be at once noticed and invisible; the paralysing effects of limitless information, and the desire to do good versus the desire to be seen doing good.

Instead, his cold grime sonics are rendered down to their no-frills essentials – brutalist blocks of sad angular melodies and hard, spacious drums. Amo won’t satisfy all of BMTH’s fans, but it’s certainly accomplished, catchy and eclectic enough to bring in some new ones. “Black”, the most recent single from the record, considers what that word means to different people around the world, as well as to Dave.

Familiar faces and themes serve as his trademarks. And where better to dream than from the comfort of your own digs? When Lizzo played Coachella earlier this week, her set was plagued by technical problems. Where the former was overflowing with choppy, experimental sounds, guest appearances and clumsy attempts at Gil Scott Heron-esque revolutionary lyrics, the sequel – recorded around the same time – streamlines .Paak’s sound, making for a tightly packaged, melodic and danceable album. Assisted by producer John Hill, whose previous credits include co-writing Portugal.

Sigrid has a raw energy and emotional briskness that can make you feel like you’re doing aerobics in neon leg warmers atop a pristine mountain.

Hopefully fans will, too. (Roisin O'Connor)No one could accuse Lizzo of holding back. (Alexandra Pollard)One could argue that there’s too much eclecticism here – that if this really is Crow’s final LP, she perhaps could have gone for something with a more singular sound. (Roisin O'Connor)On Deerhunter’s eighth album, frontman Bradford Cox takes on the role of war poet, documenting the things he observes with a cool matter-of-factness, and heart-wrenching detail. Yet few are likely to have as much inspiration to draw on as India-born, Zimbabwe-raised and now Peckham-based artist Rina Mushonga. Those who fell for Jacklin’s 2016 excellent debut, Don’t Let the Kids Win, will find a continuity of alternative attitude and vintage influences. (Patrick Smith)Here, Lewis does what she does best: adds the glossy sparkle of Hollywood and a sunny Californian sheen to melancholy and nostalgia, with her most luxuriantly orchestrated album yet. The New Zealand artist seems to derive a particular glee from unsettling her audience. Where a full album produced by Kanye West (2018’s Nasir) didn’t pan out – perhaps because West’s perfectionism was a bad fit for Nas’s penchant for procrastination – “You Mean the World to Me” sounds like it would have been a standout on that record had it not been abandoned on the cutting-room floor. Yorke often tends to make his most explicit political comments outside of music: in a recent interview, for example, he complained about how discourse has regressed, referring to British and American politics as “a Punch and Judy show”. All rights reserved. The singer-songwriter’s nomadic personality is reflected in the vast scale of reference points on her new record, In a Galaxy.

Drake – Assassination Vacation 2019 Tour. Surprising influences creep in, from Eighties R&B to the Human League, and on “When You Come Up To Me”, Williamson not only sings but there’s a melancholy tone breaking through the anger. Drake’s approach to the live show mirrors his most recent release, Scorpion – it’s erratic at best, and he prefers to chop and change songs than perform anything in fullWant to bookmark your favourite articles and stories to read or reference later?

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