Send us a tip using our anonymous form. We want to hear from you! The single “What Kind of Man” begins with electro atmospherics, but it’s a feint: Raw guitar crashes in over arena-scale kick drum and heraldic brass. “Long and Lost” — maybe her most Charlotte Brontë-via-Kate Bush moment ever — is a magnificent bit of British brooding, backed by ghostly choral vocals.Toward the record’s close, the 21st-century art-pop Flo returns, and not a moment too soon. Art-pop diva Florence Welch returns with a renewed love for loud guitars and soul vocalsThe timing feels right. "'How Big How Blue How Beautiful' was the first song I wrote for this record, literally as I just came off tour,' she explained, 'and then I went off and had this incredibly chaotic year, and that all went into the record. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. In an interview with Zane Loweon 16 February 2015, Welch said that during the year off she had "a bit of a nervous breakdown", and that time was chaotic. Sign In For You Browse Radio Try Beta.

Welch isn’t the most rhythmic singer; she’s more about powerful held notes and dramatic articulation, and her rock moves have sometimes felt fussy in the past. The video, which showed Welch dancing with her Florence and the Machine performed "What Kind of Man" and "Ship to Wreck" on The band performed at numerous European festivals in summer 2015, including Starting on 12 February 2015, the band released a series of Vincent Haycock-directed music videos for several songs from the album, with each video acting as a chapter in a story titled A music video for "St. Jude" premiered on 23 March 2015. Florence Welch touched on the album in a press release:. How Big, How Blue, How Beautiful is the third studio album by Florence + the Machine. My favourite bit in the song is probably the introduction and the final chorus - "Back, back, back against the wall!". But here, she punches like a prizefighter.The tension makes for a sexy record that sticks to some familiar themes: a woman wrestling with lovers and emotions, often with biblical allusions, liquid-courage assists and a near-violent intensity. Upcoming Lyrics. © Copyright 2020 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. English ℗ 2015 Island Records, a division of Universal Music Operations Limited The beguiling “St Jude,” sung over a space-garage drone, and the huge-sounding pep-talk anthem “Third Eye” (the set’s highlight) recall her notable cover of Drake and Rihanna’s “Take Care.” In a field glutted with aimless revivalists, Welch uses the past here to get at the present. Welch emerged in the shadow of Amy Winehouse, and Welch’s 2009 debut was followed by the megasuccess of Adele — two kindred British soul divas with signature throwback sounds. Popular Artists. Top Lyrics of 2011. "Delilah", for instance, concerns the epic psychic carnage involved in waiting for a phone call from a boyfriend, and yes, that's Delilah as in Samson. I wasn't stable." Between a Crucifix and the Hollywood sign We Decided to Get Hurt Now there's a Few Fings We Have to Burn Set our Hearts Ablaze And Every. (Several songs later, she's "thrashing on the line," this time as a fish.)

After returning from her year-long hiatus from music, lead vocalist Florence Welch returned to configure How Big, How Blue, How Beautiful, recording material that dealt with personal conflicts and struggles. How Big, How Blue, How Beautiful is the third studio album by English indie rock band Florence and the Machine. The songs on Florence and the Machine's third LP aren't just about heartbreak, they're songs about total and utter eclipses of the heart. The much-anticipated third studio long-player from Florence Welch and her mechanically inclined companions, How Big, How Blue, How Beautiful arrives after a period of recalibration for the spirited English songtress. Top Lyrics of 2010. How Big, How Blue, How Beautiful - 7/10 - I'm not particularly keen on how the track starts off, but usually, if I am patient enough to listen through to the first chorus, I … What are we gonna do?

Between a Crucifix and the Hollywood sign We Decided to Get Hurt Now there's a Few Fings We Have to … What really binds Florence Welch has built her career on the premise that she feels things more painfully and powerfully than anybody else. Welch had her own thing, conceptually bolder: a cinematic art rock that looked back to Kate Bush, and looked forward via collaborations with dance producers like Jamie xx and Calvin Harris.

Welch has These aren't just songs about heartbreak; they're songs about total and utter eclipses of the heart.

Her main wingman here is producer Markus Dravs (Björk, Arcade Fire, Coldplay), the Brian Eno protégé who helps rock acts signify pop. See her howl-at-the-moon finale, “Mother,” its meaty psych guitars and full-on rock shouts betraying her love of Jefferson Airplane — you half expect her to go out “White Rabbit” style with the always-timely command to “feed your head!” And in a sense, in her arty, English way, that’s just what she’s doing. 6 Features Song Lyrics for Florence & The Machine's How Big, How Blue, How Beautiful album.

Welch sings about crossing canyons, kissing skylines, pulling the earth around her. It allowed Welch to reassess her musical approach to refl… And every city was a gift And every skyline was like a kiss upon the lips And I was making you a wish In every skyline. But the scale has ballooned. 3. I wasn't making myself happy. Popular Song Lyrics. You can see what Dravs and Welch are up to on the co-write “Queen of Peace.” Gone are the signature African-goth drums, replaced by a dry, midtempo Motown backbeat dressed in tambourine shimmer and orchestral flourishes. More » Artists. How big, how blue, how beautiful How big, how blue, how beautiful And every city was a gift And every skyline was like a kiss upon the lips And I was making you a wish And every skyline And meanwhile a man was falling from space And every day I wore your face Like an atmosphere around me I'm happy you're beside me What are we gonna do? The hiatus was somewhat new for the singer, who was almost constantly at work during the making of the band's first two albums.

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