He streamlines his verses radically, sometimes rapping at half his average speed on The album’s aesthetic is still based in the ambling beats, messy synth counterpoint and off-jazz chording to which While other OF artists struggle to avoid self-parody or anonymity, Earl is carefully whittling away at the proclivities he's always had, remaining confident that he’ll light upon something that feels fresh and honest. West Coast cult hero raps about his darkest demons on a brilliant, claustrophobic solo set © Copyright 2020 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. We want to hear from you! Earl Sweatshirt - I Don't Like Shit, I Don't Go Outside review: Earl steps out of Tyler's shadow to find the outside world ain't all that sunny either. DETROIT, MI - APRIL 01: Earl Sweatshirt performs in support of I DON'T LIKE SHIT, I DON'T GO OUTSIDE at St Andrews Hall on April 1, 2015 in Detroit, Michigan. DETROIT, MI - APRIL 01: Earl Sweatshirt performs in support of I DON'T LIKE SHIT, I DON'T GO OUTSIDE at St Andrews Hall on April 1, 2015 in Detroit, Michigan. (Photo by Scott Legato/Getty Images) As always, Sweatshirt is most compelling when he’s going toe to toe with his own demons. I Don’t Like Shit, I Don’t Go Outside: An Album by Earl Sweatshirt is the second studio album by Earl Sweatshirt, released on March 23, 2015 through Tan Cressida and distributed by Apple's iPads are Still Among the Best Tablets — Here's How to Pick the Right One for you I Don’t Like Shit will come as a letdown to those who valued his DOOM-esque free association or Eminem-esque title-fight motor-mouthing, but … He is whittling away carefully at the tendencies he's always had, remaining confident that he’ll light upon something that feels fresh and honest. Send us a tip using our anonymous form. “Grief” is a harrowing shut-in snapshot: “I just want my time and my mind intact/When they both gone, you can’t buy ’em back.” At just 10 songs in a half-hour, So far, he's right.Increasingly Earl is doing more with less, to an extent that might surprise many fans.

He’s making music that never gets ahead of itself, or what he needs to communicate: the way he processes the outside world (on an example-by-example basis) and why and how he runs away from the things he runs away from. “Mantra” opens with some maniac grandstanding (“With a cleaver and a .30 and some twisted weed/I pick one and let the crimson leak”), then slides into a downhearted breakup song. So far, he's right. “I spent the day drinking and missing my grandmother,” he raps on “Huey,” perfectly summing up the music’s desolate vibe. Earl's latest release feels like the realization of a voice he's been working towards: one that is both fluid and all angles, vacillating between naked introspection and pushing us as far away as possible.

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