Don’t do full coverage and cover up your skin like show your freckles.

He was kind in the beginning and then was ultimately trash and garbage, as is the end of so many romances. Visualize os perfis de pessoas chamadas Negin Farsad. And I did work really, really, really, really hard and I didn’t get the same results. And I say this because I’ve just read Jia Tolentino’s incredible book, Trick Mirror.

[51:48] Reza Aslan: Before 9/11, I was allowed to be many different things. [45:37] Sinéad Burke: And this idea that, going back to body positivity, and this idea that you don’t really need to wear makeup anymore, but you better have a really brilliant 15-step skincare routine. And she was a policy advisor.” They still hang on to the stuff I did like ten years ago. And that’s what we should want. And there was a dominant discourse around that era. [07:12] Negin Farsad: Oh, you know, I don’t mean to tell the cliche story, but I will, which is that they left their country with just a couple of suitcases and my brother, who was eight years old at the time — I was born in the United States — but they left Iran with like nothing.

[30:59] Negin Farsad: In terms of comedy, I mean, it continues to make me really concerned about the state of politics and really concerned about the policies we’re enacting. But it’s a thankless task. [06:44] Negin Farsad: Well, you know, we were recording the morning after the Oscars were taped. After 9/11, I was only allowed to be Muslim. [35:28] Sinéad Burke: But it’s just been useful for the world in terms of how society and the world has been built. And in fact, I longed to be Mexican because I grew up in Southern California and my high school was probably like 50 percent Mexican. And there is such uncertainty. And on so many different fronts. So this body positivity movement is concurrently happening alongside this “do everything you can to change your body through artificial means” movement.

And they did it so that they could have a better life, so that my dad could advance, so that my brother could have a great education, so that all of these great things could happen for their kids. But just as an example of people who spend lots and lots and lots of money on body perfection. Negin Farsad is an American comedian, actor, writer, and filmmaker of Iranian descent based in New York City. Like it’s kept women from getting the promotion and then sort of shutting up about it, you know, because we’ve just been like, well, I am total garbage. But at the same time, we’re seeing it like it’s body positivity that’s performative and requires a lot of social media valuing. They’re not like showing themselves for like “look at the natural beauty.” They’re like, “look at my plastic surgeon’s fantastic work” is basically what they’re saying with every post. It’s the economy, stupid, you know.

And that’s when they started to be like, oh, she’s got a legitimate career. [20:14] Negin Farsad: I mean, we could talk about my experience in Ireland because I had a little I had an Irish boyfriend, a little romance, an Irish boyfriend for a while.

And, you know, he doesn’t have to worry about any of this stuff. And my parents were unbelievably thrilled. [24:51] Sinéad Burke: That’s like you didn’t put in enough effort, but OK, it’s acceptable. And he said, you know, don’t be embarrassed. And that as an adolescent I thought I was too chubby. It’s body positivity without any of the relief. And so that is, I think, the voice in my head that I still wake up with every morning, but I’m trying every day to improve, to dull that voice, to recognize that voice isn’t real, that the voice isn’t real. So, yeah, it makes me misty eyed. Sinéad is joined by comedian Negin Farsad, who shares her early memories as the only Iranian-American at her school, her time working in policy, and how she now uses comedy to continue her activism. [41:03] Negin Farsad: Right. And it just feels very dark. And it’s kind of really designed for these shorter distances, you know, where mass transit on a bus or train would make more sense. Nobody is doing that. Like it’s OK for people to be like, this is what I look like, and this is what I had for breakfast and here’s some photos. And I interned for the likes of Hillary Clinton and Charlie Rangel, who was also a giant in Congress. Like, there’s like very, very few people who do that. But he didn’t take that bait. But how do you describe yourself personally and professionally? So those are really the core ingredients for pasta, so if you do not have those that might be challenging. So then what’s the problem? Right. And it wasn’t until I started doing things that their friends would see either on TV or film or radio that they would be like, oh, we saw your daughter doing this. Maybe it’s helped me think about, like, what is the logical limit of these policies? It would have been so much easier — and I talk about this in my book. I am just like a lady who lives in a town and sometimes is about it. It was like, oh, my God, no! And then maybe even after their death, it’ll be the basis for the cure to some major disease or whatever. So yeah, that’s how I spend my time. I think they’re great. You’re either a doctor baby, you’re a lawyer baby or you’re an engineer baby. Negin, thank you so much for being on the show. There were many years, I think, where they had very little money and it was an uphill battle. Don’t we all deserve legislation and care and to be considered within this moment? But we’re using language like “vulnerable” and “underlying conditions.” Hearing politicians and leaders say things like, “well, it’s a relief because the people who died, they had three underlying conditions, so it’s not a risk to the rest of us.” But don’t we all deserve to survive this pandemic? Nesta palestra/"stand-up" híbrida e tumultuosa, Farsad fala do seu documentário, "Os Muçulmanos Vêm Aí!

[20:48] Negin Farsad: He could have.

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