ET j'ai vu Bowling for columbine et on peut voir la grosse connerie et la superbe intelligence des americains. Shoot, that can pretty much be said about Ralph Fiennes himself, because after the '90s, pickings started to slim a bit until he went Voldemort, and that's a shame, not just because they ended up using him not much more than a handful of times in the "Harry Potter" series, but because Fiennes is too good of an actor to get stuck with little work, as this film further proves.

Now, the structure and telling of this story, as I've said time and again, is an absolute mess, but the subject matter itself, is immensely intriguing, being familiar and sometimes redundant, but nevertheless strong and mostly dynamic, with depth and themes so strong, conceptually, that it's hard to fall out of this film, no matter how messy the execution of such a worthy story is, and much of that is due to, well, what writers István Szabó and Israel Horovitz and Szabó's direction do get right, and very right indeed.

With Cillian Murphy, Rose Byrne, Chris Evans, Cliff Curtis.

Des passions secrètes et des trahisons tragiques se dèroulent en même temps que des bouleversements mondiaux! What does it mean to live in a country where one finds oneself both at home and still a stranger?

Acting material is often underwritten, thus leaving many performances to come off not as phenomenal as I'm making them sound, so you'd think that the acting wouldn't be enough for this film to transcend its many missteps, but really, I exaggerate not when I say that these performers - restrained though, they may be - really do carry this film a long way, as the film is often slow, yet never dull, for the charisma within the cast is intense enough to create consistent entertainment value, and the film's substance is, as I've said time again, tainted to no end by such immensely messy storytelling, yet does not ring false, not just because the story is so worthy or because director István Szabó has his fair share of inspired moments, but because the performances grace the film with such piercing depth and spirit that keeps the film going through and through, with moments in which it really cuts deep, thus making the film, if nothing else, an acting piece that succeeds just enough for the sprawling mess of a final product, as a whole, to transcend total underwhelmingness by a hair, yet transcend total underwhelmingness nevertheless.

Publiée le 7 octobre 2016 Après "Chère Emma" (et sept annèes d'absence), voici le nouveau film du cèlèbre rèalisateur hongrois Istvan Szabo!

January 18, 2018 où sont les blacks ?, les blacks ?

The biggest missteps in the hurried story structure come in at each hour mark, when a sudden drastic shift in story focus - which present a different main character and even an almost entirely different primary story - occurs and finds itself slam-banged in with embarassing messiness that throws the film's momentum way off, and while the film's steam doesn't dissipate at tremendously uneven moments, momentum never comes back as strong as it was, due to all of the hurrying, repetition and other uneven spots, and the momentum was never really all that strong to begin with, due to all of the hurrying, repetition and other uneven spots.

C'est l'un de mes films préférés!! Cinemark



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