$350,000 - $500,000, Description: Die Ruhe in Komposition, Farbe und Zeichnung tritt an die Stelle dynamischer Tiefenwirkung, welche in frühen Gemälden des Malers dominiert. Salomon van Ruysdael (* um 1600 in Naarden oder Haarlem; begraben 3. No 5 (dated as 1632. - Frimmel, Theodor von, Verzeichniss der Gemälde im Besitze der Frau Baronin Auguste Stummer von Tavarnok (Galerie Winter). (42.5 x 61 cm. CHF8,000 - CHF10,000. 1633' (lower centre)oil on panel15 1/2 x 27 7/8 in. VAN RUISDAEL, SALOMON (Naarden / Haarlem 1600 - 1670 Haarlem)River landscape with fishermen.Oil on canvas. Der zwischen 1600 und 1603 in Naarden geborene Maler trug ursprünglich den Namen Salomon de Gooyer (Goyer). $300,000 - $500,000. Salomon van Ruysdael 1600-1670-cirlce, Landscape with Trees, Oil on Panel 55x45 cm, Estimate: Dokumente aus dem Jahr 1651 belegen seine Tätigkeit als Händler eines für das Bleichen von Textilien genutzten Farbstoffes. Save for the T-shaped tear on the left, the trees, foreground and the boats and figures would appear to remain largely untouched. Please enter a valid email address (name@host.com), Lot 36: Ruysdael, Salomon van—Hirte mit seiner Kuhherde an der Tränke, Lot 40: Salomon Van Ruisdael (Umkreis) - Fischer am Fluss (Fishermen on a river), Lot 46: SALOMON VAN RUYSDAEL (1600/03–1670) - Rural Landscape, Lot 49: SALOMON VAN RUYSDAEL, attributed to, RIVER, Lot 53: SALOMON VAN RUYSDAEL, (DUTCH C.1602-1670), LANDSCAPE WITH RIVER AND FIGURES ON BANK. In overall good condition. A View of Deventer seen from the North-West. [1] He travelled from Haarlem to Leiden, Utrecht, Amersfoort, Alkmaar, Rhenen, and Dordrecht, painting landscapes and stately homes. Seen through the early morning mist, the city’s buildings are hazy. The panel is flat and stable. Under UV light: there is a central vertical line of retouching (about 1/2 in. Also visible to the naked eye is retouching to a long network of tears in the left-hand side of the landscape, the extent of which is revealed by inspection under ultraviolet light which reveals the T-shaped network approx. Zwischen 1659 und 1662 schuf er auch einige Stillleben. 6169 (from a label on the reverse);Joseph Homberg, Paris;His sale, Paris, Galerie Georges Petit, May 11, 1923, lot 33 (for 41,000 francs) to Stettiner;With Dowdeswell and Dowdeswell, London;Bernard Forbes, 8th Earl of Granard (1874-1948), and by descent in the family;Anonymous sale ("The Property of a European Noble Family"), London, Christie's, December 13, 1996, lot 4, there purchased by the present collector.LITERATUREW. 43; The Hague, Koninklijke Kunstzaal Kleykamp, Tentoonstelling van Schilderijen door Oud-Hollandsche en Vlaamsche Meesters, 1932, p. 16, cat. loss of paint. 6), the present view is probably imaginary. - Auktion Lempertz, Köln, 17.5.1962, Los 8. The Halt at the Inn of 1643 in the Norton Simon Museum (Stechow 147) is very similar with its silhouetted figures anchoring the dark foreground and pale road stretching behind. Aus dem Jahr 1626 ist die bislang früheste Datierung auf einem seiner Gemälde überliefert. 1669 wurde Van Ruysdael als Mitglied der „Vereenigde Vlaamsche, Hoogduitsche en Friesche Gemeente" bezeichnet. There are some very small inpaints along the wood grain in the background, mostly in the upper half of the picture. Provenienz: Nikolaus Baranowsky, Vienna (around 1850). Estimate: They often carried goods but were also sometimes used as ferryboats, as these are. 400.Dieses Gemälde ist nicht datiert, jedoch erscheint das erwähnte Datum von 1632 (siehe Ausstellung) glaubhaft, obwohl Stechow (siehe Literatur) das Werk etwas später, um 1636, datiert. 1600-1670 Haarlem) Öl/Holz. Salomon van Ruysdael was originally called Salomon de Gooyer (meaning of Gooieland) but he and his brother Isaack, also an artist, adopted the name ‘Ruysdael’ from Castle Ruisdael, near their father’s home town, which was possibly once in the family’s possession. The landscape evokes the late style of Salomon van Ruysdael and replaces the "tonal painting" of the 1630s in terms of both composition, palette and the depiction of figural staffage. Circa 1633.Oil on panel. Fisherman at stormy harbor (possibly Rotterdam) hooked on the channel with their oar, looking to the sky at a zig zag, possibly lightning. SALOMON VAN RUYSDAEL, attributed to, RIVER LANDSCAPE, 41 x 72 cm, Oil on panel, Estimate: 39.4 x 53 cm. Three small boats head up river, towards the rising sun. 151;B.B. Estimate: November 1954. * Attributed to Salomon Ruysdael (1602 - 1670). AN RUYSDAEL Salomon (1600 - 1670).

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